By Daniel Bivona,Marlene Tromp
Since the Eighties, students have made the case for analyzing nineteenth-century culture?—?particularly literary output? —??through the lens of economics. In Culture and cash within the 19th Century: Abstracting Economics, luminaries within the box of Victorian reports, Daniel Bivona and Marlene Tromp, have accrued contributions from major thinkers that push New monetary feedback in new and intriguing directions.
Spanning the Americas, India, England, and Scotland, this quantity adopts an inclusive, international view of the cultural results of economics and trade. members use the idea that of abstraction to teach how financial proposal and issues round funds permeated all features of nineteenth-century tradition, from the language of wills to arguments round the social objective of art.
The features of funding and hypothesis; the fraught symbolic and functional meanings of paper cash to the Victorians; the transferring price of products, companies, and ideas; the evolving felony conceptualizations of inventive ownership?—?all of those, members argue, are necessary to realizing nineteenth-century tradition in Britain and beyond.
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Culture and Money in the Nineteenth Century: Abstracting Economics (Series in Victorian Studies) by Daniel Bivona,Marlene Tromp